WK4: THE QUEST(ION) & MAKING CONNECTIONS

Amuthan Vethanayagam
2 min readDec 6, 2021

What if the protagonist is killed in act 2?
Will the audience still watch the movie?

To answer this question, the emotional design of the screenplays of movies that killed off their protagonists should be analysed. This question paves a pathway to broader research.

This mind-map is an overview for that research.

Link: https://miro.com/app/board/uXjVOdXE-8k=/?invite_link_id=39061997388

References:

Dunne, P. (2006). Emotional Structure: Creating the Story Beneath the Plot: Creating the Story Beneath the Plot: A Guide for Screenwriters

Iglesias, K. (2011). Writing for emotional impact : advanced dramatic techniques to attract, engage, and fascinate the reader from beginning to end

Fabe, M. (2014). Closely watched films : an introduction to the art of narrative film technique (Tenth anniversary). University of California Press.

MTV. (2017), 13 MOVIES THAT TRICKED YOU BY KILLING THE MAIN CHARACTER EARLY https://www.mtv.com/news/2997124/movies-that-killed-characters-early/

MasterClass. (2020), Three-Act Structure in Film: How to Write a Screenplay in 3 Acts
https://www.masterclass.com/articles/three-act-structure-in-film#what-is-the-threeact-structure

Bibliography

Gamerant9. (2021). Movies That Killed Off Their Protagonist Early On https://gamerant.com/9-movies-killed-protagonist-early/

Fame10. (2017). 10 Movies That Killed The Main Character Early https://www.fame10.com/entertainment/10-movies-that-killed-the-main-character-early/

BEKSSKETCHES.(2021), https://bekssketches.wordpress.com/2021/09/18/contemporary-media-storytelling-wk3/

MovieOutline. (n.d), Act Two — The Elusive Heart of the Screenplay https://www.movieoutline.com/articles/act-two-the-elusive-heart-of-the-screenplay.html

WiredUK. (2017), You should ignore film ratings on IMDb and Rotten Tomatoes https://www.wired.co.uk/article/which-film-ranking-site-should-i-trust-rotten-tomatoes-imdb-metacritic

TheScriptLab Act Two: Obstacles, (2010). https://thescriptlab.com/screenwriting/structure/three-acts/56-act-two-the-middle/

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